I am delivering three new works to Sly Cat Gallery in Cedar Hill this week. Here is a preview of one piece with an expanded artist's statement.
Log Cabin Series: Coton Jaune
Medium: cotton, elderberry stem, tiny shells
Size: 10 x 17”
Log Cabin is a traditional weaving pattern, beloved for its simplicity and versatility. It is based on interlocking lines that form squares and stripes. In this series, I used a plain cotton warp (the threads on the loom) and experimented with various weft materials. The weft is the yarn that is laid into the warp to make the cloth. I love the way Log Cabin shows off thick and thin handspun yarn.
It was the first pattern I learned in my college weaving class. It is still my go-to pattern, especially on a rigid heddle or antique two-harness loom.
Cotton has been grown in the American continents since 3,000 BC, not only white but also brown, green and pink. These, now rare, varieties of cotton were “rediscovered” in the 20th c and brought back into production by Sally Fox. I had the privilege of meeting her when she still was growing cotton in Texas. Her website contains a wealth of information.
When the French Acadians were deported by the British from Canada to Louisiana in the late 1800’s the women learned about the locally grown coton juane from the Natchez People. Using skills once applied to wool, they filled their dowry chests with brown and white cotton blankets and household fabrics. This tradition was almost lost but it has seen a recent revival. I recommend following Austin Clark as he navigates the traditional ways.
My fabric is woven with handspun brown and white Texas grown cotton. The shells are a reminder of the Acadian’s unwilling voyage from Canada to the Mississippi River and Louisiana.
Elderberry carries historical significance a medicinal and magical plant. I use it for hangers because it doesn’t easily decay and insects avoid it.
Beautiful!!